Velveteen
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“Velveteen: The Real Girl Short Fiction Collection: A Short Fiction Collection, By: Velveteen” is the story of a young Woman who travels back in time to 1983 San Francisco, where she descends into the seedy underground circuit. She subsequently triumphs over her "Manager” (Lil Boochie), as well as the symbolic representation of Pure Evil embodied in the character Jackie_drew. In the end, Velveteen goes on to find Love and Redemption at an eponymously-named Chicken Sandwich Restaurant.
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"She is not only the best woman novelist we have, but one of the most serious and intelligent and honest writers of the whole postwar generation."
= The London Times
Doris Lessing, Book Summary:
"Martha Quest" and "A Proper Marriage" (1964)
http://www.dorislessing.org/amarriage.html
The brilliance and power of her writing have won the highest praise from critics on both sides of the Atlantic, some of whose comments are printed on the back of the jacket.
It is with particular pride that we publish
Mrs. Lessing's
"Children of Violence," a series of five related novels, of which the first two, written before
"The Golden Notebook,"
appear in the present volume.
The generation that was
born of one world war and
came of age in another -
these are the
children of violence whose
abrasive relationships
with their elders,
with one another, and
with society as a whole
are here brilliantly understood and depicted.
The center character of
"Children of Violence" is
Martha Quest, a young woman of intelligence and passion,
in open-nerved tough with herself of her fearful times.
Raised in a
narrow, provincial community in
Central Africa, child of
colonial parents committed to the old way,
she has turned for direction and sustenance to literature, as previous generations turned to religion.
But the moral standards that she has pieced together from her classic and modern writer-heroes are at odds with the life around her.
Seeing her
profoundest ideals denied
by the people closest to her,
she continually asks,
"How can they?"
(Treat the Africans that way,
act with such dishonesty toward one another,
pretend to regard their defeats as victories,
be content to drift
with every ill wind
from mindless youth
to dreary old age)
Continually outraged, she probes, argues, struggles to make them understand what they are doing. When she fails miserably, there is a final crisis; she leaves home.
But freedom provides its own shocks and confusions;
in rapid succession -
almost without volition -
involvement with the smart young set,
a ritual round of drinking and parties,
a suitable courtship,
a proper marriage,
an immediate pregnancy,
a young husband off to war,
and the sudden realization that
she is no more autonomous than her parents.
The old question re-occurs but with an important change. How can I? And, jolted by this sudden insight, Martha begins a scrupulous scrutiny of self and society, of motherhood and love, of the city with its racial tensions, of power and politics.
Martha Quest is
a true daughter of her century -
the quarreling century
in which
the conflict between the generations
reflects the conflict between old systems and new,
between ascendant and ascending nations and races.
Marthas personal history mirrors the convulsions and aspirations of our time:
the successful rebellion,
freedom and its tragic failures,
and finally,
despair transmuted
into a relentless determination
to understand life,
and through this understanding
discover
a way to live.

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