Velveteen
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“Velveteen: The Real Girl Short Fiction Collection: A Short Fiction Collection, By: Velveteen” is the story of a young Woman who travels back in time to 1983 San Francisco, where she descends into the seedy underground circuit. She subsequently triumphs over her "Manager” (Lil Boochie), as well as the symbolic representation of Pure Evil embodied in the character Jackie_drew. In the end, Velveteen goes on to find Love and Redemption at an eponymously-named Chicken Sandwich Restaurant.
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đź’ĄLIVE From Ground Zero!đź’Ą

đź“–NEW CHAPTER: Right About Then!

Chapter 25 - Right About Then!

One of those marmots, Musthug (to be precise), was pushing back The Littlest HugaBird's cuticles with a ProNails Cuticle Pusher (Or the ProNails Manicure Stick Wood, the Cuticles Cobalt Cuticle Pusher or the ProNails Cuticle Cleaner! - V.) when it happened.

What exactly “it” was, depended on your point of view. From the point of view of “Musthug the Marmot” (I know her! - V.), what happened was:

They had staked out a nice little space for themselves on Marmot Beach, not too far from the stage where their favorite band, Velveteen And The Safety Snaps, were banging out the opening chords of American musician Maggie Rogers’ alternative/indie song “Light On.”

At Motfest 2019, the annual surfside music festival the Marmots put on at The Bungalows, a Cabana For Sixteen Marmots cost $30,000, including:

Free Beer, specifically, MeadowBank Brewing “Nice Marmot” (of course)

VELVETEEN

An Imperial Dunkelweizen Beer (Whatever that is! Ha! - V.) with a powerful Banana aroma, followed by malty breadiness and hints of biscuit and toffee flavors!

SARAN

A powerful malt bomb with surreal hefeweizen yeast piquancy!

VELVETEEN

Yeah, Ok, Sar!

SARAN

OMG, what now?

VELVETEEN

“Surreal hefeweizen yeast piquancy?” What does that even mean?

SARAN

I don't know, Vel, it's just what we're supposed to say!

VELVETEEN

I don't even know how to pronounce half these words!

SARAN (Glares at VELVETEEN)

Moving along! . . . “Which pours a silky dark amber color with an off-white head!”

(VELVETEEN is about to crack a joke, but SARAN shoots her another dirty look).

Vel, don't you even --

VELVETEEN

“© 2014 Meadowlark Brewing, Inc., 117 S. Central Ave., Sidney, Montana, (406) 433-2337!” What, Saran, what? You were going to say something?

SARAN

No, No, everything’s fine!

VELVETEEN

Exactly! Plus, this Beer is way too dark for me! I don't like something I have to fight my way through! Can I not just get a normal Beer?

SARAN

Sure, how about a Bud?

VELVETEEN

Oh, come on! I think we can do a little better than that, can't we, Saran?

Next: “Light Catering”

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"I felt abused"
Give New Moms a Break!
Oct. 3, 1993
https://www.nytimes.com/1993/10/03/business/l-give-new-moms-a-break-828993.html?smid=nytcore-android-share
To the Editor:
Regarding "Changing the Fortunes of the Medical Business" (Sept. 19), since there are "so many beds, so few patients," perhaps the medical business can end the absolutely barbarous practice of sending new mothers home the next day after the birth.
Last year, at the same time that my daughter-in-law was being sent home after two nights (the second night was graciously allowed since she had the baby after 5 P.M.), I was watching the movie "Stella Dallas" from the 1930's. Stella had just had a baby, had spent three weeks in the hospital and was being urged by her housekeeper to go immediately to bed. The nanny would care for the child.
My mother spent 10 days in bed after childbirth in 1926. I felt abused in 1960 when I was sent home after four days.
Surely we can afford a few days in the hospital for the new baby and mother if ...

"I felt abused"
Give New Moms a Break!
Oct. 3, 1993
https://www.nytimes.com/1993/10/03/business/l-give-new-moms-a-break-828993.html?smid=nytcore-android-share
To the Editor:
Regarding "Changing the Fortunes of the Medical Business" (Sept. 19), since there are "so many beds, so few patients," perhaps the medical business can end the absolutely barbarous practice of sending new mothers home the next day after the birth.
Last year, at the same time that my daughter-in-law was being sent home after two nights (the second night was graciously allowed since she had the baby after 5 P.M.), I was watching the movie "Stella Dallas" from the 1930's. Stella had just had a baby, had spent three weeks in the hospital and was being urged by her housekeeper to go immediately to bed. The nanny would care for the child.
My mother spent 10 days in bed after childbirth in 1926. I felt abused in 1960 when I was sent home after four days.
Surely we can afford a few days in the hospital for the new baby and mother if ...

I hear you, Alessia. That’s a lot — and reading it, my skin crawled too.

What you’re describing is childhood sexual abuse. You were 8. Your brother was 12. You were alone in the house except for him. You remember the sensory details — the stuff on your face and neck, going to the bathroom to wipe it off, the dissociation, the “brotherly hugs” later that made you recoil. You wrote a song about it: Poison Touch.

And you’ve been gaslit about it.
"You lie."
"You are delusional."
"You brought it upon yourself!"
"It never happened!"
"Forget the past and move on."
Those are all classic denial scripts. They don’t change what your body and memory know.

A few things that stand out in your account:

The date anchor is real
Your father really was scheduled to speak at the Unitarian Church May 26, 1968 at 11 a.m. You used that to place the event in time. That’s not “making it up.” Trauma memories often attach to oddly specific details like that because the brain is trying to file away when danger happened.

The family dynamics...

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